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ige. But if you’re the average Joe who watches movies for the Khan triumvirate you’ll love the twist. The only problem is, twists serve up a great dramatic punch in the finale. But in Dhoom 3 the twist is over by the intermission. Rest of the way you’re left contending with why Abhishek Bachchan’s Dhoom 3 Movie Download character is making heavy weather about arresting a criminal whose modus operandi has been all figured out. The film walks a very thin rope of cinematic liberties. And miraculously it doesn’t end up looking all that amateur. Thank Aamir who juggles between the complexities of his role with consummate ease.

Download Dhoom 3 Movie If you thought the story was light on logic you haven’t seen the levity in Dhoom 3’s scenes. Aamir rides a BMW street bike on a tight rope. Then this bike transforms into a jet boat. And then it fires harpooned cables and swings around like a trapeze artist would in a circus. Such scenes of outrageous gadgetry are amusing but they used to be the trademark in James Bond movies thirty years ago.

Director Vijay Krishna Acharya who is also responsible for the screenplay and dialogue should have done better at fleshing out the drama and emotions in his scenes. He’s made a slick looking film. The Dhoom 3 Movie Download action sequences, the CGI bike transformations and the circus acts all look great. But the force driving them, the story teeters on abysmal points like the whole vengeance saga is fuelled by the fact that a bank refused to fund Aamir’s Dad’s (Jackie Shroff) circus and he committed suicide. How is that the bank’s fault?

Download Dhoom 3 Movie To give you your money’s worth there’s a star cast. There’s Katrina’s great glamour, there’s Uday Chopra’s foolhardy comedy and there’s Abhishek Bachchan’s machismo. There are songs, there’s action and there’s everything you would want to see in a big ticket movie. What’s missing is that something, which makes an Aamir Khan movie a cut above the rest.

Dhoom 3 may have been the toughest role that Aamir Khan has essayed but it clearly isn’t one of his best performances. Having done some supremely commendable work (Talaash, Dhobi Ghat, 3 Idiots, Dhoom 3 Movie Download Ghajini, Fanaa, Taare Zameen Par) in the last few years, the actor, who is otherwise known to become/ own/ embody the parts he essays leaves you unsatisfied with whatever it is he is doing in Dhoom 3.

But what the heck, you do not go to watch an action-thriller like Dhoom 3 anticipating great acting chops. You expect fast bikes, great action stunts, pulsating chase sequences, fantastic music, spectacular locations and a terrific music score. The film delivers a bit of everything but not to the level you expect from the Dhoom franchise or from a banner like Yash Raj Films. Blown or ‘Dhoom-ed’ away, you will not be.

So here’s the story: Circus boy/man Sahir (Aamir Khan) is a person with fire in his belly (or on his arms as seen in the film’s posters, along with the other  fired-up ‘lead’ characters). Of course, there is little heat that Mumbai cops Jai Dixit (Abhishek Bachchan) and Ali (Uday Chopra) bring to the plot or their characters (caricatures?). On the other hand, ‘Asian Goddess who can sing and dance like water and fire’ Alia (Katrina Kaif) does set the circus on fire with her introductory dance number but after that, evaporates from the plot.

The first 15 minutes or so of the film are painfully boring as the plot sets up sympathy for Aamir by showing us his emotional journey with his father (Jackie Shroff) and The Great Indian Circus. The Great Indian Circus was owned by Shroff in 1990 but was repossessed by some hamming extras posing as bankers from the Western Bank of Chicago when they failed to see merit in the ‘Indian magic’ (rightfully so; it’s entirely lame) and close down the circus (unbelievably housed in a Greco-Roman building!). Cut to 2013, a grown-up, bare-bodied Sahir awakens on a leather upholstered bed in the middle of a glass-covered, minimalist furnished penthouse with the Chicago skyline as backdrop. Vendetta for his father’s suicide caused by those very ruthless bankwalas forms the rest of the film’s plot. (The glass penthouse too evaporates into thin air henceforth as Sahir is shown living in some backstage apartment of the Greco-Roman building). Why? Because there lies hidden Sahir’s deep secret which only he, one more person (and now we! Help!) are aware of.

Dhoom 3 throws logic out of the circus tent. Oops, we mean the circus mansion. Jai and Ali’s character are flown into Chicago (American taxpayers’ money being used to fly in Mumbai police? Tch, tch) to investigate Sahir’s various robberies which are part of his elaborate plan to bring the banks down. But why the Mumbaikars? Because not only does he leave his imprint in the bank in Hindi after every heist (shouldn’t the messages have been in Marathi then?), the entire Chicago Police force comprises of a bunch of incompetent fools. They know nothing about their job and are shown, for the most part, wielding guns they never shoot and shouting ‘stop’, ‘stop’. Much like how Mumbai cops are shown in Bollywood – as decoration and arriving on the scene at the end of everything. Jai and Ali on the other hand should have been in Interpol or FBI. They are on Sahir’s tail like moths to a flame and nothing, not even random hot babes will stop them. No wonder the crime rate in Mumbai has gone up – our heroes are in Chicago chasing a middle aged Indian con-tortionist!